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Her approach to each track see’s her effortlessly traversing styles, linking harmonies and creating emotive dance rhythms equally suited to a big room as they are to chill-out.On this page I'll try and unravel some of the markings that appear within the "deadwax" or "run-out groove" sections on US 60's discs.The master number is 10117 whilst the label number is 6412. From January 1967 a pressing plant code was added to the master numbers: Like RCA and Capitol, Columbia's pressing plants and mastering services were used an awful lot by smaller independent local labels.Their three main (others in Terre Haute IN, Pitman NJ) pressing plants were based in Chicago, Nashville and New York, and are identifiable by the stamped in prefix to the number in the deadwax: The job numbers which follow the ZTSC, ZTSP, ZTSB codes were allotted out of the offices in the Fisher Building in Detroit, and were often allocated in batches.
Introducing Tryphème aka Tiphaine Belin a Machiniste / Synthesizer-friendly artist from Lyon, France.
First up, here's a quick "rule of thumb" disc-dating grid covering five major labels and the infamous West Coast based Monarch pressing plant.
Further breakdowns and explanations follow this grid: As an example, Vala Reegan's "Fireman" has 45-6412 on the right hand side of the label, and 66C-10117 on the left. Atlantic simply used a mastering system that puts the last two digits of the year before the tape master number, thus 66C denotes a 1966 mastering for Vala's "Fireman".
More that just the world "came to life" with the creation of Adam, the world acquired time then as well.
Prior to Adam, no one noted when the sun rose or set, or the moon waxed and waned or whether there were seasons.